Can glitz and celebrity save the world? Thirty years ago, rock stars Bob Geldof and Bono set out on a journey to fight poverty in Africa. They tried to convince some of the wiliest and mightiest politicians on earth to change the world. Give us the Money tracks their journey through famines and palaces, and world-wide TV-audiences. But how successful have they really been? Did they manage to make the world a better place? Bosse Lindquist's film tracks the history of this idea. "A band of musicians set out to change the world" he says "and now the time has come to ask: What did they achieve, and is celebrity politics is the right way of combating world poverty?"'

Set just after the end of WWII (but filmed in the middle of it) in a time of general euphoria at having won the war, with full employment and general happiness for all (or nearly all). Peter, the young wastrel son of a hard working hotel owner doesn't like the idea of having to work for a living. He discovers a society of "White Elephants" who are quite willing to be poor as long as they don't have to work. They are protected and guided by Nina (Margaret Lockwood) and her precocious sister Heidi (Jean Simmons).

A drama detailing the transformation of Barabbas, a thief and murderer, who is chosen to survive by an angry mob and that Jesus shall die.

Dead End Kids epic. The boys want desperately to fly, and get mixed up with crooked crop dusters, whose planes are flying deathtraps.

蒙面入侵者劫持了一名银行经理的家人为人质，目的是抢劫他所在的银行。

Igor Sokolov has been acting as pioneer leader for children for years in a class five grades below him. Now, in tenth grade, he decides he must enroll to try to become an actor. The children are devastated and try to change his mind. Instead of try to be an actor, he should change his mind and study in order to be a future teacher. They are aware that not them but his future students will appreciate it. With that goal in mind, they create Igor's resume and go to teacher training college to try to publicize Igor's talent as an educator. Will they achieve their goal? That's something that shouldn't be told; better you try to discover it in the film.

Meiko is a young woman who is working out her issues concerning the relationship she had with her father by torturing and murdering men who look like him. After she kills the father of Maki and Yoshi (skinning him alive first), the two men coerce her into joining their planned bank robbery spree. The procedure for their heists is for Meiko and Yoshi to behave in such a bizarre manner that nobody in the bank notices it's being robbed. Things go well for them at first, but eventually their individual fears and neuroses start to get the better of them.

Geoff McQueen's classic BBC comedy drama set in the wheeler-dealing world of London's snooker halls starring two of Britain's most popular actors. Micky Noades (Robert Lindsay) describes himself as 'an overall concepts man'. He is an ace promoter, the only problem is he has nothing to promote. Enter his brother-in-law Mo (Paul McGann) with one redeeming feature: his outstanding talent at snooker. Created by Geoff McQueen this vintage British comedy drama gave Paul McGann his breakthrough role, and features an outstanding performance from British TV icon, Robert Lindsay.

Give Us a Clue is a British televised game show version of charades which was broadcast on ITV from 1979 to 1992. The original host was Michael Aspel from 1979 to 1983, followed by Michael Parkinson from 1984 to 1992. The show featured two teams, one captained by Lionel Blair and the other by Una Stubbs. Later versions of the programme had Liza Goddard as captain of the women's team.A revived version was attempted by BBC One, which ran from 10 November to 19 December 1997 and commissioned 30 episodes, it was hosted by Tim Clark. Teams were captained by Christopher Blake and Julie Peasgood and the show tried to introduce a lateral thinking puzzle. Give us a Clue returned for a special Comic Relief episode on 5 March 2011 with Sara Cox, Christopher Biggins, Lionel Blair, Una Stubbs, Holly Walsh, Jenni Falconer and David Walliams.

Documentary set in East St. Louis, Illinois, the city with the highest homicide rate in the United States, where the community copes with the terror of pervasive gun violence.